Circle or disc cutter for making blanks for hand raising or sinking silver, copper, tinsmithing bowls.

http://youtu.be/WtyAoITMHFA

Wato wato all. Very long time no communication eh!

Lots of water has passed under my bridge, as for sure yours also, since the last posting on silversmithblog. My new job at the Jewellery workshop in Porthleven has been a mixed and varied bag of delights, horrors, failures and victories that will no doubt continue to crop up in the coming posts. Looking forward to sharing the experiences that will help you to realise its only you in the way of making what you envisage in your head. Remember, all I know is technique that can be learned with ease if the application of the craft is exercised in the correct manor.

Its appropriate for me to now state that, at this time, looking to the types of work needed to service commissions. Also items bought in for repairs and adjustments has rendered me a bona fide Goldsmith. Never in my earlier wildest fantasies did this enter into my mind. The challenges have been both frustrating and rewarding to say the least. Enough of that for now, lets get on with the real passion, silversmithing. Well copper for now anyway.

A long while ago a promise was made to video the circle cutter that I am very fortunate enough to be the custodian of. The link at the start of this post will take you, (with luck I have done all the right things for this to happen) to YouTube to see said video. Had no idea you couldn’t upload a video here, you live and learn eh.

For those who watched the clip, sincerely hope it was enlightening, perhaps even entertaining. Please do give some feedback as if you wish, more clips can be added if you so wish. I know YouTube is awash with really great content, though bound to say haven’t trawled through it for some time myself. I will not add to the numbers if it’s not relevant, up to you. Better still, encourage me to post something you may wish to have better explained that will help with more visual content.

I showed the model that has been an experiment, now it will go further with the four copper bowls that are, finally, on the way.

Reen makes wonderful quilts, probably mentioned this before. Pictured here are two of her creations that led to the idea of the designs to follow.

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As you see, they convey wonderful movement, along with wonderful patterns. The model in the video, if you look closer, uses these lay out patterns, or at least like them, to start. I wondered how the raising process would effect the geometric, straight lined patterns. The distortions are very pleasing to my eye, wishing you may agree. They lend themselves very well to chasing and repousse decorative techniques, don’t you think.

Missing the larger scale work, working on small scale jewellery at this time, most of the time. Bound to say, I have been pining for more hammer work and less soldering/constructional work. Looking forward to seeing where this goes. As those of you know who have followed this blog from the start, major influences remain Hiroshi Suzuki and his hammer chased vessels. At least one of the bowls will employ hammer chasing, if you return to looking at his exquisite creations, the patterns I will use will be of a similar flavour to his signature natural forms. Not forgetting the awesome and wonderful human being that is David Huang, have I mentioned him before 🙂 I intent to give these bowls a rim, with my own ‘twist’ as a nod to his massive, incalculably huge continuing influence on my approach. This blog was in large part influenced by his generosity, for those of you who have not, please do look him up, I guarantee you will not be disappointed.

I do not want to go on too much as I know this is a continuing personal failing. Suffice to say, its good to be back on the blogasphere. Please do get in touch.

I will be telling you more of my adventures as a jobbing jeweller in a busy shop, as well as my wonderful times as a tutor for the workshop. In two weeks I was fortunate enough to enable 60 people, including my now weekly 8 week beginners course that is rolling out continuously for the foreseeable future.

Until then, all my very best wishes.

Stu

Move to outside workshop

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My bench, all made from reclaimed stuff. The top cane from a skip, the table it sits on was being slung out. Its raised on two rough sawn off cuts, not elegant, effective though.

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‘Plier rack’ is an old plate stand, keeps files to hand as well. The filing cabinet has my tumbler, pickle pot (an old slow cooker, make sure its ceramic, not metal if you try yourself) and one or two fondue set mini pickle pots, heated by tea lights, for small work. The table/stand is a laptop stand, height adjustable, very useful.

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Solis cast iron surface plate, or sometimes called a flat iron, perfect for checking the trueness of raising, marking out and checking for flatness. Old fire bricks salvaged from electric night storage heaters, two turntables, the smaller one for a T/V, the other is a twist exerciser, both plastic so be careful. With the size of the bricks placed on the soldering table, I have no issue with heat reaching the turntable. Both found in junk shops.

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Truly awesome guillotine, I took this apart and painted it. It is so heavy, I used a motorcycle jack to help take it apart. As it was over a small drain, the weight cracked through the alloy drain, toppling it onto my pushbike, you should see the dent in the frame ;/

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A mod roc, wire and wood ‘sculpture’ I made for a project. Do you think it would work in copper for outside?

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Swage machines, part of the tinsmiths hall. All need to be cleaned up and restored.

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Two old slip rollers, along with my modern rolling mill. Restoration of the old ones later!!!!

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Some of my hammers. That fan is great, force 10 at least, no paperwork out when this is running.

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A belt and disc sander I use for roughing out amongst other things the chasing tools you see here. They are attached by strip magnets used for storing knives in kitchens, you guessed it, from a second hand shop. The trolley, on wheels, was salvaged from a skip.

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Birds eye view. Got to have a cuppa tea. I’m British don’t ya know 🙂 The stool I use is a piano stool, the pad is on a screw thread, just spin it for height adjustment.

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Couldn’t resist this, beautiful at night, with switchable effects, just plain white, reminds me of the stars, you have to be here to see the full fantastic effect.

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My disc cutter, truly fantastic, beautiful machine. Always make me giggle every time I use it.

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A Norton fly press, more to come in the near future with this machine. The machine to the right, just visible the two rollers, is a bowl forming machine. Alas one of the cast gears is broken, on another post I will introduce my “dirty” workshop, (my garage) and the machine tools I will be using to repair it. Most of the stakes came from the tinsmith hall, along with most of the machines here, see text for explanation.

 

Wato wato one and all

Not posted for a while, work and a direction revisited from a previous time have meant not much happening at the moment. I was hoping the start of the holiday season would be more fruitful than it has proven to be so far. I have just made a batch of wire forged bangles. Alas they are difficult to photograph, I wanted to send them off to the jewellery workshop to try to get some cash-flow going, I will get the next batch professionally photographed, I’m very pleased with them.  http://porthlevenjewelleryworkshop.co.uk/

To the subject of this post, my move to outside with my jewellery work. Long story short, Reen, as you know, is a woodturner, membership secretary for Cornwall woodturnershttp://www.cornwallassociationofwoodturners.co.uk/

Now when we started with the workshop in the back garden I ‘shared’ it with her. As her hobby has grown, so has her collection of wood, not to mention the acquiring of a bandsaw and other wood related stuff. I resolved to just do larger work there, keeping my jewellers bench and associated bits in our spare bedroom. Burnt holes in the carpet and black smeetch marks from soldering/annealing led to the executive decision that I had to go outside.

Great news, Reen has a new shed. I now have re claimed the workshop, I thought I would share some pictures while it resembles some form of order.

I purchased a couple of years ago a complete tinsmith workshop tooling. As you see it is in a fairly rough state, the guillotine, disc cutter and fly press the only three things, apart from the odd stake, that I have gotten round to repairing/restoring. It was fantastic to meet the chap who sold it to me, he worked at this job, for the same firm all his working life. When he retired, the business closed down, he kept all the tooling in a, sadly, leaky lock up. He showed me a fly press die that he said was his first job when he started at 15 years of age. I’m now the very proud custodian of these time capsules. I don’t know if look forward is the right term, however as the years go by, time permitting, I will slowly restore each part. I have only shown some of what I have, I will introduce you to more as time goes on. Some of these machines, like the bowl maker, or the crimper with the associated accessories, are simply fascinating and wondrous to behold. All made from solid cast sections that are hernia inducing to move around. These industrial relics were the CNC machines of their time, I am very privileged to own these machines, they give me immense pleasure as I look at them, trying to figure out how they work, imagining the chap, his working lifetime etched into each one.

I know this has little to do with silversmithing per say, however these machines and associated stakes can be pressed into service for silversmithing purposes, as I intend to show you over the times we share.

I have pretty much completed a commission I will share with you next time, including some more, made from stuff lying around tools you can make yourself.

I apologise in advance for an upcoming post that shows my “dirty” workshop. A very nice person has expressed an interest in the old engineering machines I am fortunate enough to look after. Please don’t dismiss it as I feel sure, as people interested in making things, you should get something from it.

Until next time. All my very best wishes.

Stu Art