Wato wato one and all
Not posted for a while, work and a direction revisited from a previous time have meant not much happening at the moment. I was hoping the start of the holiday season would be more fruitful than it has proven to be so far. I have just made a batch of wire forged bangles. Alas they are difficult to photograph, I wanted to send them off to the jewellery workshop to try to get some cash-flow going, I will get the next batch professionally photographed, I’m very pleased with them. Â http://porthlevenjewelleryworkshop.co.uk/
To the subject of this post, my move to outside with my jewellery work. Long story short, Reen, as you know, is a woodturner, membership secretary for Cornwall woodturnershttp://www.cornwallassociationofwoodturners.co.uk/
Now when we started with the workshop in the back garden I ‘shared’ it with her. As her hobby has grown, so has her collection of wood, not to mention the acquiring of a bandsaw and other wood related stuff. I resolved to just do larger work there, keeping my jewellers bench and associated bits in our spare bedroom. Burnt holes in the carpet and black smeetch marks from soldering/annealing led to the executive decision that I had to go outside.
Great news, Reen has a new shed. I now have re claimed the workshop, I thought I would share some pictures while it resembles some form of order.
I purchased a couple of years ago a complete tinsmith workshop tooling. As you see it is in a fairly rough state, the guillotine, disc cutter and fly press the only three things, apart from the odd stake, that I have gotten round to repairing/restoring. It was fantastic to meet the chap who sold it to me, he worked at this job, for the same firm all his working life. When he retired, the business closed down, he kept all the tooling in a, sadly, leaky lock up. He showed me a fly press die that he said was his first job when he started at 15 years of age. I’m now the very proud custodian of these time capsules. I don’t know if look forward is the right term, however as the years go by, time permitting, I will slowly restore each part. I have only shown some of what I have, I will introduce you to more as time goes on. Some of these machines, like the bowl maker, or the crimper with the associated accessories, are simply fascinating and wondrous to behold. All made from solid cast sections that are hernia inducing to move around. These industrial relics were the CNC machines of their time, I am very privileged to own these machines, they give me immense pleasure as I look at them, trying to figure out how they work, imagining the chap, his working lifetime etched into each one.
I know this has little to do with silversmithing per say, however these machines and associated stakes can be pressed into service for silversmithing purposes, as I intend to show you over the times we share.
I have pretty much completed a commission I will share with you next time, including some more, made from stuff lying around tools you can make yourself.
I apologise in advance for an upcoming post that shows my “dirty” workshop. A very nice person has expressed an interest in the old engineering machines I am fortunate enough to look after. Please don’t dismiss it as I feel sure, as people interested in making things, you should get something from it.
Until next time. All my very best wishes.
Stu Art