Move to outside workshop

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My bench, all made from reclaimed stuff. The top cane from a skip, the table it sits on was being slung out. Its raised on two rough sawn off cuts, not elegant, effective though.

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‘Plier rack’ is an old plate stand, keeps files to hand as well. The filing cabinet has my tumbler, pickle pot (an old slow cooker, make sure its ceramic, not metal if you try yourself) and one or two fondue set mini pickle pots, heated by tea lights, for small work. The table/stand is a laptop stand, height adjustable, very useful.

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Solis cast iron surface plate, or sometimes called a flat iron, perfect for checking the trueness of raising, marking out and checking for flatness. Old fire bricks salvaged from electric night storage heaters, two turntables, the smaller one for a T/V, the other is a twist exerciser, both plastic so be careful. With the size of the bricks placed on the soldering table, I have no issue with heat reaching the turntable. Both found in junk shops.

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Truly awesome guillotine, I took this apart and painted it. It is so heavy, I used a motorcycle jack to help take it apart. As it was over a small drain, the weight cracked through the alloy drain, toppling it onto my pushbike, you should see the dent in the frame ;/

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A mod roc, wire and wood ‘sculpture’ I made for a project. Do you think it would work in copper for outside?

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Swage machines, part of the tinsmiths hall. All need to be cleaned up and restored.

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Two old slip rollers, along with my modern rolling mill. Restoration of the old ones later!!!!

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Some of my hammers. That fan is great, force 10 at least, no paperwork out when this is running.

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A belt and disc sander I use for roughing out amongst other things the chasing tools you see here. They are attached by strip magnets used for storing knives in kitchens, you guessed it, from a second hand shop. The trolley, on wheels, was salvaged from a skip.

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Birds eye view. Got to have a cuppa tea. I’m British don’t ya know 🙂 The stool I use is a piano stool, the pad is on a screw thread, just spin it for height adjustment.

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Couldn’t resist this, beautiful at night, with switchable effects, just plain white, reminds me of the stars, you have to be here to see the full fantastic effect.

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My disc cutter, truly fantastic, beautiful machine. Always make me giggle every time I use it.

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A Norton fly press, more to come in the near future with this machine. The machine to the right, just visible the two rollers, is a bowl forming machine. Alas one of the cast gears is broken, on another post I will introduce my “dirty” workshop, (my garage) and the machine tools I will be using to repair it. Most of the stakes came from the tinsmith hall, along with most of the machines here, see text for explanation.

 

Wato wato one and all

Not posted for a while, work and a direction revisited from a previous time have meant not much happening at the moment. I was hoping the start of the holiday season would be more fruitful than it has proven to be so far. I have just made a batch of wire forged bangles. Alas they are difficult to photograph, I wanted to send them off to the jewellery workshop to try to get some cash-flow going, I will get the next batch professionally photographed, I’m very pleased with them.  http://porthlevenjewelleryworkshop.co.uk/

To the subject of this post, my move to outside with my jewellery work. Long story short, Reen, as you know, is a woodturner, membership secretary for Cornwall woodturnershttp://www.cornwallassociationofwoodturners.co.uk/

Now when we started with the workshop in the back garden I ‘shared’ it with her. As her hobby has grown, so has her collection of wood, not to mention the acquiring of a bandsaw and other wood related stuff. I resolved to just do larger work there, keeping my jewellers bench and associated bits in our spare bedroom. Burnt holes in the carpet and black smeetch marks from soldering/annealing led to the executive decision that I had to go outside.

Great news, Reen has a new shed. I now have re claimed the workshop, I thought I would share some pictures while it resembles some form of order.

I purchased a couple of years ago a complete tinsmith workshop tooling. As you see it is in a fairly rough state, the guillotine, disc cutter and fly press the only three things, apart from the odd stake, that I have gotten round to repairing/restoring. It was fantastic to meet the chap who sold it to me, he worked at this job, for the same firm all his working life. When he retired, the business closed down, he kept all the tooling in a, sadly, leaky lock up. He showed me a fly press die that he said was his first job when he started at 15 years of age. I’m now the very proud custodian of these time capsules. I don’t know if look forward is the right term, however as the years go by, time permitting, I will slowly restore each part. I have only shown some of what I have, I will introduce you to more as time goes on. Some of these machines, like the bowl maker, or the crimper with the associated accessories, are simply fascinating and wondrous to behold. All made from solid cast sections that are hernia inducing to move around. These industrial relics were the CNC machines of their time, I am very privileged to own these machines, they give me immense pleasure as I look at them, trying to figure out how they work, imagining the chap, his working lifetime etched into each one.

I know this has little to do with silversmithing per say, however these machines and associated stakes can be pressed into service for silversmithing purposes, as I intend to show you over the times we share.

I have pretty much completed a commission I will share with you next time, including some more, made from stuff lying around tools you can make yourself.

I apologise in advance for an upcoming post that shows my “dirty” workshop. A very nice person has expressed an interest in the old engineering machines I am fortunate enough to look after. Please don’t dismiss it as I feel sure, as people interested in making things, you should get something from it.

Until next time. All my very best wishes.

Stu Art

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