Jewellery and silversmithing photography

Wato wato all,

A lesson learned far too long to realise, presentation is sooooo important if you wish to appeal to the people who will allow your work to be presented to the purchasing public.

do not underestimate the value of professional images of your work. They will pay you back the cost many times over. It’s my experience,

an image taken on a phone just will not cut it next to studio images, such as these.

 

Until next time. Very best wishes.

Stuart G.

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What a dramatic result. Energy and movement with a juxtaposition of the pebbles on a stream theme

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Water and silver, smashing movement in this image. Attractive and interesting.

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Wonderful example of a clean group shot. Websites love this sort of image.

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Opal ring commission

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Dark, still detailed. You try it!

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What a dramatic result. Energy and movement with a juxtaposition of the pebbles on a stream theme

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Royston turquoise 

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Another Royston Turquoise, not many left.

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Experimenting with textures on this Amethyst dome ring.

Studio photograph session with Paul Mounsey for my chased and repousse´ jewellery, art metal and silversmithing

http://www.paulmounsey.co.uk/

http://www.paulmounsey.blogspot.co.uk/

I came back from a session with Paul yesterday, I am blown away with the results and could not wait to share it with you all. Especially for people who have struggled to be heard with their work alone. I feel certain that with Pauls’ input my opportunities for being better represented have just taken a seismic shift into the unlimited possibilities zone.

I am so excited to see my work looking this great in print. As I have said before I have been slow to appreciate the importance of quality images, mistakenly assuming that buyers and gallery owners would see past the groggy images, being only interested in the finished article; don’t you new makers make the same mistake. A string of rejections and soul searching could have beed lessoned if I had images such as these to start with, as feedback from the people and places you approach is not common. The inevitable result, you are left floundering as to why people don’t bother to follow up on your enquiry. The reason, you are not seen as a professional, someone who has not paid attention to detail, and will continue not to do so, not the best trading partner.

I felt, as I’m sure most of you do, I was capable of taking a photograph, how hard can it be eh!

When I entered Pauls studio I was amazed at all the specialist equipment and his attention to detail. The computer alone looked as though it could handle much of the NASSA space programme. His lighting and the props he uses to tease out the smallest detail was truly astinishing. Without thinking and with the intuitiveness most of have for driving a car, he continually made minor adjustments to the lighting. Flash and reflective surfaces being altered for every shot, his intimate understanding of his subject made this an outing rather than a chore. I love to see people who are doers rather than talkers effortlessly practicing their hard fought for, practiced craft, making it appear effortless and seamless, the way that time served people can. This was a true treat and a fantastic experience that, as soon as I make more work that needs it, I will return, no hesitation.

The chased and repousse´ surfaces now come aline, punch textures become more defined and the reflective planished surfaces are simply stunning. He managed to capture the aged patina I wanted for the copper art metal bowl. Oxidisation looks more pronounced and less fuzzy helping to clearly define the raised texture left behind after polishing. Silversmithing items like the highly reflective surface of the Britannia silver bowl are notoriously hard to photograph, check out these beauties above!

Always a good start and the sign of a thoroughly good egg, good strong tea was provided and made the proper way. Paul has a very calm manor and is totally accommodating, listening to and responding to every request and offering suggestions, treating work with respect and careful handling. I could not be more happy, and wholeheartedly recommend him to anyone.

Well, just look at the images for yourself, I had to be a little selective as I felt like uploading all of them! A good example if the pendant from the previous post I asked for an opinion as to the best finish. You cannot deny this now looks like a completely different piece. It is unchanged from when I photographed it with my trusty point and shoot.

I went will Paul Pennington from the jewellery workshop in Porthleven, also attending the same course as me. Sandra Austin used images made by Paul Mounsey in her final presentation. This is what blew us away and led us to seek his services. This is another example of his flexibility and his accommodating nature. This is a last minute thing to get my promotional stuff ready tomorrow for the next day. Paul excelled himself and delivered, returning my images the same day, yesterday. Can’t get better than that can you. Just wish I was nearly as organised though.

I would like to thank Julia Rai from the Cornwall school of art craft and jewellery as she respond to a FB quote I made about photographing work, introducing Paul Mounsey. Well worth a visit, Julia has been a supporter of me since I attended a forging class. Sign up and be amazed at her PMC skills, Not my thing, no hammers required see 🙂 nonetheless awesome.

https://www.facebook.com/JuliaRai

https://www.facebook.com/CornwallSchoolOfArtCraftAndJewellery