I’m almost at the end of my third and final year of my degree course. Truro College runs a yearly show to exhibit all students work in the arts. My copper paternated chased and repousse bowl is finally finished. I would like to take the opportunity to, both, introduce you to a very dear friend and awesome metal artist, publicly thanking her for all her help in the final finishing of this bowl.
Nicola Bottono works in the above gallery, alas at this time she does not have a website, please look her up. We were on the same Silversmithing and Jewellery course, Nicola graduated last year and is continuing to develop her range at this time. I commented that I liked the patternated finish she achieved with a College project and she, very kindly, offered to apply the finish to this bowl. I thought it would be great to patternate the outside, Nicola thought inside would be better. I think she was right, I’m over the moon with it and hope you all like it also. Its great to have people around you who will guide you towards better decisions rather than allowing you to, potentially, make an error that you will see in hindsight that will be too late to rectify. Very many thanks Nicola 😉
This bowl is not without errors, this is the first time I have tried to chase a design on a hollow form. I feel bound to say however that I am chuffed to bits with the end result of what has been a rocky journey to get to the end. If you would like to see the pictures showing the bowl from flat sheet to as you see it here, please let me know. I hope you forgive my enthusiasm for this piece as I see it as a very great start on the road to making more beautiful forms in the future.
Much of this blog was made to help others avoid the pitfalls and inevitable mistakes that I have made to get to this point. All who are close to me will tell you that I struggle with the design aspect of making, this may not be the most ground breaking thing you have seen. From a personal perspective I must say that it represents a major achievement and milestone for me that many times I thought would not happen.
It is all too easy to become despondent and think your work amounts to nothing at all, my tutor for example thinks this is awful. I would be fibbing if I said this didn’t sting somewhat, however I am reminded of the fact that very few individuals would know where to start, let alone finish such a massively time consuming piece. The lessons I have learnt along the way are worth more than gold to me. The tools I have made and customised to complete are a permanent addition to my ‘alphabet’ of tools enabling me to better communicate with less and less effort in the future.
The mistakes and blemishes are the rights of passage for anyone wanting to undertake a large project. All too often I see and hear others wanting to create masterpieces and afraid to fail or look silly. There were many wrong turns, leading to this, to me and others who have seen it, wonderful and fruitful destination. If I allowed myself to be swayed by people who could not care less, this bowl would not have happened. Please please don’t let that happen to you.
Next time I will start to show you the peened disc of Britannia silver that I have used to create a silver bowl. Peening is used to thicken the edge as it is raised. Remember the previous post on making shallow forms with a bench block and a ball peen? The technique is very similar.
Until next time, all my very best wishes.